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Review Premiere performance 2nd Piano Concerto

 

   TRANSLATION

 

 

 

TRANSLATION

MERKER

The International Cultural Platform

ZWETTL/ Lower Austria/ Abbey: CANDLELIGHT CONCERTS /

Exhibition Opening "A Fairy Tale World" with paintings by Raffaele de Rosa and Orchestra Concert at Zwettl Abbey
18.06.2019 |
Concert/Lieder Recitals

 

(Photo)

Prior Berhard Prem, Francesca Gräfin Pilati, Raffaele De Rosa, Robert Pobitschka. Foto: Noll/NÖN

 

Exhibition Opening “A Fairy Tale World” with Paintings by Raffaele de Rosa and Orchestra Concert at Zwettl Abbey (June 15, 2019) The series “Candlelight Concerts” hosted an orchestra concert for the first time in its history, featuring the renowned Mozarteum Orchestra Salzburg in a string ensemble, which took place on June 15, 2019, under the direction of the 1st concertmaster of the Mozarteum Orchestra, Markus Tomasi, in the festival hall of Zwettl Abbey. The honorary sponsorship was provided by the Italian Cultural Institute Vienna.

 

Exactly in keeping with the nature of De Rosa's paintings, which project chivalrous figures into fantasy worlds, the concert began quite martial with Ignaz Biber's "Battalia." One seemed to hear the noise of war followed by lamentations—effects masterfully depicted by Biber using musical means, and equally expertly reproduced by the orchestra. Immediately afterwards came Robert Pobitschka's 2nd Piano Concerto, created in 2017/18, with the composer himself taking the solo part. The work, written in a very personal style, reveals influences of Russian modernism as well as classicism, and occasionally jazz, while sparingly employing "cacophonous" elements. The three-movement piece spans a wide, poetic arc, touching upon emotions in different phases: confidence, deep melancholy, and an optimistic-euphoric breakthrough in the finale. The established pianist Pobitschka explored all facets of the piano in his composition and impressed with his equally sensitive and virtuosic performance. Special praise goes to the orchestra, which collaborated with the soloist with confidence even in rhythmically often extremely difficult passages. The audience in the fully occupied festival hall expressed their thanks with thunderous applause.

 

After the break, another surprise followed: the finale from the Symphony in G major by Florian Deller, a composer born in 1729 in Drosendorf in the Waldviertel. Very much in the style of his time, yet skillfully, Deller blended the sounds in his cheerful music. Thanks are also due to another son of Drosendorf, Mr. Werner Irschik, who happened to learn of Deller's existence and discovered the scores in the Mecklenburg-Vorpommern State Library. The musicians were completely in their element in the following Divertimento in D major, KV 136, by Wolfgang Amadeus Mozart. Even in the acoustically challenging festival hall, a very delicate "piano" could be achieved; the ensemble played with evident joy, creating richly nuanced effects.

 

The final item on the program was Edvard Grieg's Suite "From Holberg's Time." Tomasi guided his colleagues in a captivating interpretation of this "classic" for string orchestra. Following the lively applause from the audience, the finale from Felix Mendelssohn-Bartholdy's Symphony for Strings in D major was performed as an encore.

 

Anton Cupak

 



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